Watch your mouth!

White and straight teeth are over-valued. We accept a level of unnecessary, violent, medical intervention in our mouths that most of us would not tolerate anywhere else in or on our bodies. In fact we voluntarily pay for it. And we subject our children to it, with whiter ideals and more intervention and expense normalized for each new generation. In other areas of health care and healing there are more options, rooted in traditional and/or holistic paradigms that tend towards less intervention, less hierarchical relationships between doctor/healer and patient, and less involvement in big pharma or the medical-industrial-complex. In medical dentistry we have once again nurtured the worst of our religio-racist ideologies by fusing 'cleanliness' and 'purity' with 'healthy' and 'privileged.' And like most body-fascist ideals, we have obediently pursued (and demanded of our Hollywood and pop stars) straight white teeth beyond our limits, both pain and financial. Too many dentists (and too many car mechanics) try to sell more services than are necessary just to make more money...

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I wanna daughter so I can kill cops

or perhaps,

I wanna die saving a (sexy) woman


Since Fall 2012 I have watched a lot of action films. I would type searches like: best political action films, best action films of all time, best political thrillers, best action films with a female lead, then make lists and start streaming. I was annoyed by tired tropes of cold war fantasies and racially or ethnically defined “bad guys” but I kept watching...

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The Lady Gaga Method Practiced by Marina Abramović

After seeing a 2' Vimeo video
The Abramović Method Practiced by Lady Gaga

Dear Ms Abramović

Get the fuck off of Kickstarter. Seriously.

It really wasn't intended for artists with major museum retrospectives and pop star fans. Your close "friends" Lady Gaga and James Franco have enough discretionary cash to fund whatever you're doing...or you could just sell another few nostalgic photos of your earlier work...please leave Kickstarter to those of us who actually need the money for our projects to live...

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848: queer, sex, performance in 1990s San Francisco (article DRAFT)

(This is a draft of an article for Dance & Theatre Journal (UK)...but it is way too long for them so I am also seeking other sites for distribution...your comments and suggestions are very welcome, especially via email. thanks.)

848 was an artist-run, collective art space and home in San Francisco. Inspired by Tim Miller and Linda Burnham at Highways Performance Space in Santa Monica, I went to an Alternate ROOTS gathering at the site of the original Black Mountain College in the summer of ‘91. I met people who were fusing community-based art-making with social justice work, devising original works for the stage across genres, and having a very developed conversation on race that I wasn’t having in San Francisco. That fall, some friends moved out of a funky, second floor, commercial space on Divisadero Street...

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10th Anniversary of the War & Occupation of Iraq (I Tried To Stop The War)

A performance poem based on a protest chant spontaneously created by 30 or 40 mostly anarchists and witches during a protest against the first Gulf war, in February 1991. When AWOL (Artists and Writers Out Loud) asked me to perform at a rally "after the war", I scribbled it down and yelled it from a megaphone in front of SF City Hall. Then it was integrated into my solo performance, The King Is Dead (Long Live The King) which was presented in San Francisco and Auckland. In collaboration with Essex Hemphill (RIP), the text was edited slightly and then performed as a duet to benefit The Bastard Review at New College of California, later in 1991.  

Dedicated to the 200,000 Bay Areans who publicly protested the oil war.

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