I have just returned from a march in solidarity with the Committee for Justice & Love for Alex Nieto, who was killed by SF police earlier this year. Alex was unarmed, eating a burrito in a local park before going to work as a security guard. Inspired by the national uprising in response to the unjust and racist killing of Michael Brown in Ferguson, Missouri, I decided to take a moment to familiarize myself with a few of the many non-threatening people shot and killed by local police. Street protests and riots, in addition to legal and bureaucratic activism, are shifting the public discourse, building communities of resistance, and will hopefully result in more indictments and imprisonment of police. We have to increase the costs and consequences - lawsuits, civil unrest, imprisonment, public relations - for police brutality, racial profiling, and murder. And we have to increase support and respect for the families of the victims, those who have to deal with the ongoing insult of being denied justice and honesty from local police, judges, media, and government...Read More
Heklina was a tranny.
Justin V Bond and Auntie (Kate Bornstein), too.
Ru Paul was a tranny.
Tranny, tranny, tranny, tranny,
tranny, tranny, tranny.
That said, and following this post, I intend to never use the word publicly again. The battle - and why it had to be a battle I don't know - is over...Read More
(This is a draft of an article for Dance & Theatre Journal (UK)...but it is way too long for them so I am also seeking other sites for distribution...your comments and suggestions are very welcome, especially via email. thanks.)
848 was an artist-run, collective art space and home in San Francisco. Inspired by Tim Miller and Linda Burnham at Highways Performance Space in Santa Monica, I went to an Alternate ROOTS gathering at the site of the original Black Mountain College in the summer of ‘91. I met people who were fusing community-based art-making with social justice work, devising original works for the stage across genres, and having a very developed conversation on race that I wasn’t having in San Francisco. That fall, some friends moved out of a funky, second floor, commercial space on Divisadero Street...Read More
I was asked to respond to the question, "Was there ever a Mission School?" for an upcoming catalogue accompanying Barry McGee's retrospective at Brooklyn Art Museum. When I told a few friends about my attempt to document some other Mission 'schools' it seemed that most of them were not aware of any aesthetic or market phenomenon called The Mission School, which was first named by art writer Glen Helfand to identify a certain 'neo-folk' 'urban rustic' hybrid under the influence of graffiti, comics, mural traditions, skate and zine cultures, recycled wood, sign painting, and SFAI art school painting concerns, that emerged in the mid-90s as a kind of Bay Area style, centered in the Mission neighborhood...Read More
THE ROLE, MEANINGS, AND PRESENCE OF THE TEXT
1. Because they’re fresh, reworked until the last minute, just written and I don’t have time to memorize while dealing with production, promotion, choreography, costumes, lights, volunteers, ticket sales, press, documentation, props and rigging, shopping for necessary stuff, and practicing the action, the dancing, and/or some crazy stunt...Read More
In 2004 David Gere asked me to write a short piece about a dancer who had died of AIDS for his book release celebration.
Gere, who came of age as a dance critic at the height of the AIDS epidemic, wrote How To Make Dances in an Epidemic: Tracking Choreography in the Age of AIDS, the first book to examine the interplay of AIDS and choreography in the United States, specifically in relation to gay men.
I can't brag too much about the book because I'm lucky to be featured in it, but the writing is lovely and the research is generous and precise.
I decided to write about my first teacher in San Francisco, Joah Lowe...Read More