How To Die, 2006, Photos

Top photo:

A guy sleeping on the stairs of my house. At the beginning of How to Die I give everyone in the audience a photograph of a homeless or drunk sleeping guy, documented within a block of my place.

Middle photo:

Hennessy in Homeless USA, Photo by Andy Mogg. What you can't see is the 30 foot length of fish line going through the piercing hole in my septum, holding me in place.

Bottom Photo:

Hennessy & Beckman in American Tweaker. Photo by Mark I. Chester. This is the polite photo from the dance of insatiable crystal meth. What you can't see is Eisen, as Sylvester, lipsynching Do Ya Wanna Funk?

Check out Loren Robertson's promo video of How To Die
(below). This link get you to my Vimeo site where both performances (Homeless & Tweaker) are available for online streaming.

Rita Felciano's review of How To Die: http://archives.danceviewtimes.com/2006/Autumn/08/sfletter18.html

ONLY IN SAN FRANCISCO? Homegrown trends and traditions (2005)

Observations and projections by Keith Hennessy, guest performance curator Bay Area Now 2005.
Written for the Yerba Buena Center for the Arts’ Bay Area Now 2005 catalogue

• Burlesque, sideshow, circus, fire arts and a return to artists who entertain.

For the past decade there’s been a steady increase in aerial acrobats, fire spinning and sculpting, nostalgic & campy burlesque, and the word circus being used to describe just about everything from the entire genre of Tom Waits meets gypsy/Roma music to the Schwartznegger election. After years of deconstructing the spectacle, entertainment is back. For a few years anyone who could spin fire or climb 25 feet of fabric earned respect but that moment is over and for a few dancers, aerialists, contortionists, fire sculptors and spinners, and even hula-hoopists, it’s all about quality now, pushing craft and performance and obsessive training to the next level...

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